THREE ARTICLES FROM 2024 THAT WILL STICK WITH ME IN 2025

1. I Will Piledrive You If You Mention AI Again by Nikhil Huresh

2. Godot Isn’t Making It by Edward Zitron

3. Casual Viewing by Will Tavlin for n+1

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⚠️ Before reading these, you may want to install Advanced Profanity Filter, a reputable, open source plug-in for your web browser that respects your privacy. (GitHub > PRIVACY.md)

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I’m canceling my Gemini sub and evaluating DupeGuru and rmlint:

1. https://dupeguru.voltaicideas.net
2. https://rmlint.readthedocs.io/en/master/tutorial.html

Both available for macOS via brew.sh.

Tested DupeGuru a bit and it’s already better than Gemini: it can detect duplicates nested in subfolders.

I’m so happy they keep this site updated.

http://rez.u-ga.com/museum/

MASAHIRO SAKURAI ON CREATING GAMES: FINALE SPECIAL

I’ve written about Masahiro Sakurai on Creating Games before, but the Finale Special is a grand slam.

I love Director’s Commentaries and Behind the Scenes featurettes, and Sakurai-san’s Finale Special is the ultimate combo of both.

I’m trying hard not to spoil it, but apparently there was such low viewership of his channel here in the US, we all need a little nudging to watch these.

If you love games, Sakurai-san is right there with you. He has a deep understanding of what works, what doesn’t, and how to get there. The bottom line: making a game comes down to hard work, guts, and teamwork. That equally applies to running your own YouTube Channel.

And Sakurai-san shows you how he did it. All of it.

As mentioned in my last piece:

…if you’re a branded content creator, there’s so much to learn from how to produce valuable content here.

Here’s the reality folks: producing content or media is expensive.

He has the receipts to prove it, but you have to watch the video to see the final amount spent.

He worked in close cooperation with Nintendo, showing stuff you won’t find elsewhere (or won’t find easily). He even re-recorded his own in-game footage for maximum visual fidelity and quality of teaching. Given the varying resolutions / image rasters of older consoles, that’s quite a feat – even if you factor in capturing footage from emulators on a host workstation.

And yet, Sakurai-san confesses he consciously decided not to monetize the channel. No ads; interruption free.

The goal of the channel is to give the good people who make games a quality boost. He also waxes a bit on his age, the possibility of retirement, and the need to pass on what he knows to the next generation. Based on what little I know about one of his mentors, this channel follows in the same footsteps as the legendary Satoru Iwata. But this channel doesn’t live in his shadow, it stands on its own. Iwata-san would’ve been proud of this project.

Finally, I want to say Thank You to Sakurai-san for extensively acknowledging and crediting his production and post-production teams:

• HIKE
• 8-4

And of course, Yuzo Koshiro.

I agree: this would’ve been a project of a lifetime.

If you live in the United States and love video games, you owe it to yourself to watch this channel. It’s not just about video games, gaming, or game development. Any aspiring or practicing creative professional will get something out of this labor of love.

Apparently he and his team really read the comments, so one last time: thank you, Sakurai-san. Your hard work keeps paying off, and we’re all better people for it.

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Abandoned Films knows how to wield the GenAI hammer.

I’m a CRT fan, but when I moved to New York, I had to sell my Sony KV-30HS420. It would’ve been a beast to move.

But that’s nothing compared to this story about how one YouTuber tracked down and obtained the world’s largest CRT, the Sony KX-45ED1 (or PVM-4300):

RED BULL MUSIC ACADEMY'S DIGGIN' IN THE CARTS

If it’s been awhile, I can tell you Red Bull Music Academy’s Diggin' in the Carts series from 2014 is still impeccable. (YouTube - Full Playlist)

I’ll warp zone you right to this segment focused on music by Sunsoft and an interview with Masashi Kageyama, the composer of Gimmick! (1992)!:

It was music children would listen to so I wanted to make it fun and beautiful…

🥹

Then there’s today discovery from the final episode – Françoise’s Bassline from Tekken Revolutions:

Never played this game, but this is pure drum & bass.

Shout out to Nick Dwyer and his team capturing some timeless work in this series.

https://www.lacedrecords.com/blogs/news/meet-the-chiptune-lover-who-listened-to-250k-video-game-music-tracks-so-you-don-t-have-to

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Perfect.

Thank you, Bill.

THE DEVELOPERS WHO CAME IN FROM THE COLD​ BY PAUL KAFASIS

As someone who worked through and documented the painful kernel (and system) extension approval process that started in macOS 11 (Big Sur), which was further complicated by the need to support two different types of Apple hardware, I can relate.

https://weblog.rogueamoeba.com/2024/12/13/the-developers-who-came-in-from-the-cold/

ARK, Rogue Amoeba’s audio capture backend, is a real triumph.

Also, Loopback was one of my Heroes of the Pandemic. It allowed me to route audio from the You Don’t Know Jack series from a Nintendo Switch through an old MacBook Pro our to our friends over Zoom. Simple, elegant, and now hassle-free installation. (IMO: it was worth any perceived hassle.)

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I really do love the movies. I do.

Ladies and gentlemen… Dean Cundey.

“It happens every year for Avid Media Composer users.”

Like clockwork.

December 6, 2024 - https://community.avid.com/forums/t/234365.aspx

December 15, 2024 - https://isaact.micro.blog/2024/12/03/is-mdv-still.html

Two instant Quality of Life improvements in macOS:

Settings > Keyboard:

1. Keyboard navigation: ENABLED (Oldie-but-goodie)

2. Text Input > Input Sources > Edit… > Show inline predictive text: DISABLED

Became really noticeable (i.e. annoying) after an unknown Sonoma update.

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I ❤️ DIGGING THE GREATS

Brandon Shaw’s Digging the Greats is an absolute gold mine for hip-hop heads. Brandon and his team have a real format, story arcs, and a cohesive-but-not-at-all-sterile presentation style. It feels like what MTV used to be.

Plus, although I’m a music nerd, I’m constantly learning stuff here.

Here’s a video on the 2005 Michel Gondry doc, Dave Chappelle’s Block Party:

I’ve know about this film for years. For Reasons, I haven’t seen it.

I don’t want to spoil it, but I want to make something right: Adam Blackstone.

I thought I knew my bassists, but wow… this is an egregious miss by me.

The reason? Check out this live, pitch perfect performance by Justin Timberlake on SNL:

Watch. That. Bassist.

Like the comments say:

I come back every now and then just to listen to the bass line; absolute divine.

One hundred percent.

Didn’t know his name. Thanks to DTG, now I know. (And knowing is half the battle.)

Thank you, Mr. Blackstone.

Wrong, righted (I hope).

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The title of this next video reads like clickbait, but Brandon really is clarifying his stance: he’s not publishing these pieces for Patreon or YouTube, he’s producing for both.

This video also shows where the channel’s headed and how you can support it. Once I come back into some money, I intend to be a paid Patreon supporter (https://www.patreon.com/diggingthegreats), especially when you hear Brandon’s vision for what’s next. I think they’re gonna do it.

Finally, huge shout-out to Brandon for showing love to his illustrator / graphic designer / motion designer “Ace”. Whoever those mystery hands belong to, they have serious chops (hand. drawn. work. people; no AI Slop here) and absolutely nail the visual grammar of this subject. If I had actual turntables, those slipmats would be at the top of my list.

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If you don’t know what Todd Vaziri from ILM is referencing here, please watch Hollywood’s Greatest Trick:

🆓 ▶️ https://www.fresnobee.com/news/nation-world/national/article134277069.html/video-embed

Scrub to 11:06 to learn about tax credits, their impact on visual effects workers, and the perceived impact on communities who offer them.

This is 28 minutes long.

Based on my own job-hunting experience, it’s well-researched and spot on.

Also see my latest job search results:

https://valiant-wrench-7be.notion.site/Isaac-T-s-Job-Search-14396e322e7280c29deed41bb3376350

Almost at 100 applications! 🥳

When the time comes, Seth Goldin’s The Definitive Guide to PostgreSQL for DaVinci Resolve is on my list.

https://definitive-guide-postgresql-davinci-resolve.thinkific.com

Tony Zhou and Taylor Ramos are back for a bit, but they published this script for what would’ve been their final episode of Every Frame a Painting back in 2017:

https://medium.com/@tonyszhou/postmortem-1b338537fabc (Just click the X; it’s free.)

I’ve read this before, but it definitely hits different now.

Three excerpts worth sharing:

1. Tony and Taylor used Final Cut Pro and extensive keyword-ing led to delightfully surprising results in the edit. (I can attest to that as well.)

2. You can’t cheat the triangle 👉🏽 https://fastgood.cheap/

3. Even the greats among us struggle with making and doing stuff. Learn when you’ve spent too much time doing something, then delegate it or let it go.

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This post was made possible with contributions from viewers like you. Thank you!

Now Available from Cotton Bureau: emotions take time

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CAN YOU COLLABORATE ON SHARED AVID PROJECTS STORED ON AN AVID NEXIS ALONG WITH THIRD-PARTY STORAGE?

Yes.

Starting in Mimiq Pro 24.2, you don’t have to choose between your NEXIS workspaces and other shared storage. You can use both.

SMB, AFP, or NFS. Quantum StorNext, Qumulo, QNAP, Synology, LucidLink Filespaces. You name it and you get Bin Locking and Bin Refresh on all the storage thanks to a Mimiq feature called NEXIS Coexistence.

Just make sure your NEXIS workspaces are mounted before launching Mimiq. If you need to control Mimiq’s Autostart behavior on an individual workstation, Mimiq has some lovely deployment options:

https://docs.hedge.video/mimiq/deployment-options

That also means you’re not choosing between having Mimiq or the NEXIS Client Manager installed on the same computer. Both Mimiq and the NEXIS Client Manager will be installed on the same computer. Mimiq will take the place as the active NEXIS client after it launches, and graciously relinquish the crown on quit (or exit).

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GOOD CG IS INVISIBLE CG

Your favorite movie or TV show uses way more CG ¹ than you realize.

For example, here are some visual effects breakdowns for Netflix’s Ripley (don’t worry, they’re short):

ℹ️ YouTube embeds removed to improve your chances of watching these videos.

https://www.youtube.com/watch?v=e19_j5BFV_w (VFX by ReDefine)

https://www.youtube.com/watch?v=ZoTzz1GBWeg (VFX by edi)

I live in New York and traveled to several of those regions in Italy last year. Those shots? Absolutely seamless… perfection. 👌🏽

“But Ripley’s based on a modern American classic. Those VFX should be seamless!”

OK, how about the VFX shots in a romantic comedy… from 2009?

(VFX by Brickyard VFX)

Or how about the VFX in a television drama, like NBC’s This Is Us?

https://www.imdb.com/title/tt5555260/fullcredits (Do a Find for Series Visual Effects and start scroooolling.)

Do you remember those shows for their visual effects?

…

And that’s the point:

Good CG is invisible CG.

Show your love for the visual effects teams who tirelessly work to craft the shots, layers of shots, and elements that comprise the layers in those shots so we can sit back and get lost in a bit of movie magic.

About This Shirt

• The typeface is News Gothic and the color was derived from the 4K77 edition of Star Wars: Episode IV – A New Hope. My thanks to the Star Wars Comparison channel on YouTube for providing this meticulous comparison.
• I ran this design by Todd Vaziri at Industrial Light & Magic, and he didn’t hate it 😄. Actually, he was far kinder than that – thank you, Todd! Maybe we’ll see or hear about this in a future episode of Lighter Darker: The ILM Podcast.

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I don’t like sounding dogmatic, but I also don’t want to sound apologetic for this next bit:

As movie fans, we should stop using the term “CGI”.

It’s fun to say and fun to use in conversation, but “CGI” stands for Computer-Generated Imagery. Originally, visual effects artists used this term to help decision makers and financiers see the need for adding computers to their toolbox. Now it implies that computers do all the work and humans have little or nothing to do with it.

Computers don’t make the moments we remember – people do.

And if you think this all smells of entitlement or privilege, you should really watch the four-part series “NO CGI” is really just INVISIBLE CGI featuring Visual Effects Supervisor Jonas Ussing. It’s astounding how far directors, producers, and actors will go to convince you, “Nope, no CGI in this movie,” because that narrative sells more tickets, rentals, and subscriptions.

• Part 1 (16:30)
• Part 2 (27:35)
• Part 3 (25:32)
• Part 4 (21:36)

Computer Graphics aren’t the problem, and purely practical visual effects don’t necessarily make for better, more effective, or less expensive shots.

Good CG is really invisible CG.

Now available at Cotton Bureau.

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If you made it this far, use Coupon Code YTVUFFZR7F at checkout for a nice discount, or FREE99 for free shipping on all orders over $99 (USD) at Cotton Bureau.

Also, here’s a 16mm film scan of Episode IV’s opening crawl courtesy of the SG10 Film Archive channel on YouTube.

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1. “CG” stands for Computer Graphics, which I’ll use as shorthand for any shots in a show produced using digital visual effects with any related disciplines. ↩︎

IS MDV STILL USABLE ON WINDOWS 10 OR 11?

It happens every year for Avid Media Composer users. Someone’s out of the office from now through January, but:

1. They want to take an Avid Project and all associated media with them while they’re away.
2. They want to hand off their Project and media to a teammate.

The question is:

What’s the best way to transfer my Avid Project and any specific media so we can keep working on it?

The answer is the incredible MDV.

Someone known as DJFio[DB] created MDV back in 2006. Originally, it was a Windows-only app, but since 2016 it became a macOS-exclusive renamed as MDVx.

The last Windows-only update? July 20, 2008.

So, is MDV still usable in modern versions of Windows?

Yes, MDV still works in Windows 10 and 11.

How MDV Works

This article isn’t an exhaustive tutorial of how to use MDV. For that, I’ll refer you to MDVx’s user manual – http://djfio.com/mdv/MDVx-theManual.pdf

The UI/UX differs a bit here and there, but regardless of the version, the core steps for using MDV are the same:

1. MDV scans any attached volumes for Media Composer’s database files, the PMR and MDB files.
2. MDV shows you a list of Avid Projects along with any associated media.
3. You tell MDV what to do with that associated media with actions such as: Copy, Move, Sift, and Delete.

The Best Version of MDV for Windows

Here’s a list of all Downloads available from DJFio[DB]:

http://djfio.com/downloads/

Scroll down to the bottom and look for the “MDV for Windows” items. (You can also do a Find in your web browser for “MDV for Windows”.)

As of this writing, they’ve listed four versions of MDV for Windows.

The best version? MDV for Windows v0.3 (jun-23-2007). Here’s why:

• The UI is complete and functional - unlike v0.4, everything works as expected.
• The Sift function - MDV will create a new folder named after your Avid Project then Copy or Move your media files (MXF or OMF) into it. Super convenient and helpful. v0.4 has a stub for “Sift”, but it doesn’t work.

MDV for Windows v0.3 scans and operates on volumes:

1. Mounted as Workspaces in Mimiq Pro for Windows.
2. Local folders mounted as volumes using the subst command. (Number 16 of 21 on this list)
3. Shared network folders mounted as volumes using the net use command.

But there’s one catch.

Media Stored on a Windows System Volume (C:\ )

MDV was written to search for those databases – the PMR and MDB files – at the root of a volume.

In Windows 10 and 11, where does Media Composer store media imported or generated to C:\ ? Here?

C:\Avid MediaFiles\

Nope.

Any media imported or generated on C:\ is stored here:

C:\Users\Public\Documents\Avid Media Composer

Copy/paste this path into File Explorer and you’ll find the ..\Avid MediaFiles\MXF folders or the ..\OMFI MediaFiles\ folders containing the PMR and MDB files along with any media files.

Since this path is not the root of C:\ , MDV will ignore it when you click Search for Avid databases.

If you know some media may be stored on C:\ , how can you nudge MDV to Search… and Scan! this folder?

Use the subst command to mount that path as a new volume in File Explorer:

subst E:\ C:\Users\Public\Documents\Avid Media Composer

In this example, you’re telling Windows to create a new volume called E:\ in Finder Explorer mapped to that magic path. Go back to MDV, click Search…, then Scan!, and if the PMR and MDB files are there with associated media, MDV can now see them.

One Last Gotcha – Securitay!

The first time you try launching MDV for Windows v0.3, Windows will warn you with this: ¹

If you have the permissions to do so, take these steps:

1. Click “More Info”.
2. When you see the App identified as MDV_AVID.exe, click Run anyway and MDV for Windows v0.3 will launch successfully.

If MDV won’t launch, you may have to launch it using Run as Administrator or contact your local IT support for assistance.

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If you’re a long-time MDV fan and you’ve missed using it in Windows, it’s still great and it still works in post-Windows 7 environments.

Now, go transfer your Avid Projects and media to a super-fast external drive and enjoy working in your cabin in the woods.

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1. You’ll see this warning in Windows 10 and 11. ↩︎

RETROACTIVE - DISCONTINUED, BUT SUPPORTED ALL THE WAY UP TO MACOS SONOMA

Tyshawn Cormier wrote something remarkable in Retroactive. You can use it to bring some of Apple’s legacy apps back to life on more recent versions of macOS (née OS X).

Final Cut Pro 7 and Aperture users were the real winners here. But with macOS Sequoia’s release, Tyshawn officially retired Retroactive.

Retroactive’s focus is now on helping legacy app users migrate from their old environments to a newer, supported version.

Perhaps Bong Joon-ho will cut his next feature in Final Cut Pro 11. 😄

GitHub > Tyshawn Cormier > Retroactive

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INTRODUCING... ISAAC T. X COTTON BUREAU

What started as a weekend comment turned into this:

I’m teaming up with Cotton Bureau to create my own line of merchandise as part of their curated collection.

Why?

I want to celebrate the unsung heroes among us who make our favorite movies and TV shows.

Right now I’m making the shirts I would’ve worn on set, in studio, and out in these streets.

Like what? Here’s a preview:

Ultramagnetic 🛒

Time to Make the Dailies 🛒

Assistant Workflow Editor 🛒

All printed on high-grade cotton with a thoughtful selection of sizes, styles, and colors. And so far, every shirt’s available in isaact.co’s signature blue.

When are they available?

Right now… on Cotton Bureau 😎

https://cottonbureau.com/people/isaac-t

Orders typically ship within 2-5 days.

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So #PostChat? #PostSky? People who make movies and TV? People who watch movies and TV? Spread the word: I’m making fresh merch just for you.

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Did you get this far? Use coupon code YTVUFFZR7F at Checkout for a discount.

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Welp. www.npr.org/2024/11/2…

I GUESS YOU'D BETTER COME IN

Hello. Like many of you, I lost my job this year.

I live in New York State, over an hour north of New York City. I pay $3100 per month in rent.

I receive $504 per week from New York State in unemployment benefits.

As you can see, the math ain’t mathin’.

Like Robert Townsend’s tale of making Hollywood Shuffle on a credit card, I bet on myself. I’ve risked it all. But after December 2024, I will not be able to pay for rent or the basics of life.

Get a job!

I live in New York State, over an hour north of New York City.

NYC is loaded with opportunities, right?

Nope. Not unless you know someone or you’re willing to spend all of your money commuting to NYC for a low-wage role.

Also here’s an ugly truth: most positions you’ve applied for – particularly those with “Senior” in the title – were never meant for you. They’re intended for an existing team member who’s already paid their dues in that company.

Where have you applied?

I’m glad you asked!

What started as a simple To-Do list in Notion became difficult to update and increasingly meaningless because I’ve applied for so many roles.

Since I have to meet with a new contact at New York State’s Department of Labor on December 4, I decided to refactor that To-Do list into a Database.

Here it is – Isaac T.’s Job Search:

https://valiant-wrench-7be.notion.site/Isaac-T-s-Job-Search-14396e322e7280c29deed41bb3376350

This is published in Read Only mode, but feel free to tinker and explore as you please. For example, I sorted the Complete List view by Date Applied > Ascending, but you can change that. You’ll probably find the Days Until Outcome Reached column and the Board view the most interesting.

Depending on your local web browser and computer, you may need to click Load more once you reach the end of the list.

I’ll continually update this doc until I find my next role, so feel free to follow along at home.

You’ve applied for so many roles – don’t you know what you wanna be when you grow up?

I’ve had a few well-meaning people look at my job submissions and conclude I lack focus or vision.

Nope.

All my professional life I’ve worked in small-but-mighty teams. In those environments, you have to get comfortable wearing multiple hats and context switching. This job search revealed just how many hats I’ve worn, and how many of those hats contained even more hats.

So what do you want to do?

I’m re-dubbing myself a Creative Technologist, which seems to combine or intersect somewhere between a:

• Sales Engineer (perhaps Pre- or Post-Sales)
• Solutions Architect (the no-code variety)
• Technical Writer

Simply put:

I want to keep helping teams work together from anywhere, in better and faster ways, using their favorite technologies.

What have you been doing in the meantime?

Working in and around Avid Technology’s ecosystem for decades now (really really), I decided to niche down on helping Avid-based teams demystify or simplify their workflows.

I’ve written articles aimed at boots-on-the-ground folks in Media & Entertainment – Digital Imaging Technicians (DITs), Lab Technicians, and Assistant Editors – but I can confirm they’ve impacted others in unexpected ways.

Those articles may not look like much, but they represent days – sometimes weeks – of research and testing to write and publish something useful that doesn’t add noise to the Avid community.

Of course, I’m also trying to keep my finger on the pulse of other workflows and environments such as Apple’s Pro Apps (Final Cut Pro, Motion, Compressor), Adobe Creative Cloud (Premiere Pro, After Effects), and Blackmagic Design’s DaVinci Resolve.

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My mind keeps coming back to this scene from Ron Howard’s Cinderella Man:

https://youtu.be/e4fb7N_ICj0?si=K3OXYIJkEGtXn3jj&t=16

I have a feeling a lot of us live this way now, but don’t want to talk about it.

Well, starting this week, the business world enters the holiday season. That means I’ll keep applying for new roles, but I don’t expect to hear back about any of them until January 2025.

Maybe that’s not you.

Maybe you’ve been following my work and you like the cut of my jib.

Or maybe your department needs to spend that remaining budget on someone like me by December 31.

If so, let me make this plain:

I need a job. On January 1, 2025, I’m all out of quarters.

Do you need me? Know someone who needs me? Would you be willing to vouch for me in a specific role?

Feel free to email me – hey@isaact.co – or schedule a chat on my Calendly to talk about some possibilities: http://calendly.com/isaactdotco/30min

👋🏽

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